My contemporary jazz journey began 20 years ago, in college. In 1989, I was dating a girl who listened to contemporary jazz. She had cassettes of Spyro Gyra’s Point of View and David Sanborn’s A Change of Heart in her blue Honda. I was a bit familiar with modern jazz (a high school classmate had Light Years by the Chick Corea Elektric Band) but not knowledgeable. She and her mother and me took me to an Earl Klugh concert in St. Louis (he was touring behind his Solo Guitar recording). I was completely infatuated with this girl and I wanted to experience everything she enjoyed. When the relationship fell apart, I took an even stronger interest in the music because I didn’t want that part to end. I started buying Jazziz magazine. Based on the issue I bought (the one spotlighting the Happy Anniversary, Charlie Brown! compilation), I bought cassettes of the latest from Grover Washington, Jr. and Fattburger. I’d listen to these on my Walkman while serving as a student worker at the student loans department. Little did I know of the life-changing event coming soon.