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	<title>stefon harris Archives - ContemporaryJazz.com</title>
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		<title>Review: The Grand Unification Theory by Stefon Harris</title>
		<link>https://contemporaryjazz.com/review-the-grand-unification-theory-by-stefon-harris</link>
					<comments>https://contemporaryjazz.com/review-the-grand-unification-theory-by-stefon-harris#respond</comments>
		
		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Tue, 09 Sep 2003 22:54:18 +0000</pubDate>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[stefon harris]]></category>
		<category><![CDATA[vibes]]></category>
		<category><![CDATA[concept]]></category>
		<category><![CDATA[grand unification theory]]></category>
		<guid isPermaLink="false">http://www.contemporaryjazz.com/?p=1848</guid>

					<description><![CDATA[<p>I&#8217;d made multiple mentions of Stefon Harris&#8217; The Grand Unification Theory prior to its release in February. The word &#8220;ambitious&#8221; was used by myself and nearly every person referring to the project. The word is appropriate. What else do you call a young man who writes a 13-movement suite about the meaning of life for [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/review-the-grand-unification-theory-by-stefon-harris">Review: The Grand Unification Theory by Stefon Harris</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img data-recalc-dims="1" decoding="async" data-attachment-id="1849" data-permalink="https://contemporaryjazz.com/review-the-grand-unification-theory-by-stefon-harris/sharris_gut" data-orig-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2009/08/sharris_gut.jpg?fit=150%2C149&amp;ssl=1" data-orig-size="150,149" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="The Grand Unification Theory by Stefon Harris" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2009/08/sharris_gut.jpg?fit=150%2C149&amp;ssl=1" class="alignright wp-image-1849 size-full" title="The Grand Unification Theory by Stefon Harris" src="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2009/08/sharris_gut.jpg?resize=150%2C149&#038;ssl=1" alt="The Grand Unification Theory by Stefon Harris" width="150" height="149" srcset="https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2009/08/sharris_gut.jpg?w=150&amp;ssl=1 150w, https://i0.wp.com/contemporaryjazz.com/wp-content/uploads/2009/08/sharris_gut.jpg?resize=100%2C100&amp;ssl=1 100w" sizes="(max-width: 150px) 100vw, 150px" />I&#8217;d made multiple mentions of Stefon Harris&#8217; <i>The Grand Unification Theory</i> prior to its release in February. The word &#8220;ambitious&#8221; was used by myself and nearly every person referring to the project. The word is appropriate. What else do you call a young man who writes a 13-movement suite about the meaning of life for 12 musicians in his third album out as a leader?</p>
<p>I&#8217;ve always been a fan of concept albums as well as the vibraphone so I eagerly sought this CD out. I&#8217;m happy to report that I was not let down. <i>The Grand Unification Theory</i>, which takes its title from a theory in quantum physics, embraces jazz, funk, Latin, African, and Classical influences. Stefon&#8217;s vibraphone and marimba are in the forefront when you <i>hear</i> the CD, but when you really <i>listen</i> to it, it&#8217;s his composing that really strikes you. The movements that Harris has written are structured yet free enough for the musicians to swing and groove. All of the musicians that have been gathered for this release prove themselves, but drummer Terreon Gully really makes his presence known. I&#8217;ll be watching for his name in the future.</p>
<p>I&#8217;ve had this CD for over a month and had difficulty in writing a review. I&#8217;ve discovered that the reason for this is that I never had the opportunity to sit down and listen to the entire 75 minutes at one time, uninterrupted. I&#8217;ve heard most of it here and there, but the full effect isn&#8217;t realized until it&#8217;s listened to in the manner that it&#8217;s meant to. The reward is there if you can take the time, sit back in your chair, and follow the titles with the track sequence. Having said that, there are numerous cuts that easily can stand alone. &#8220;Prologue&#8221; is an infectious tune that you&#8217;ll remember all day. &#8220;The Velvet Couch&#8221; is funky and &#8220;March of the Angels&#8221; is also memorable.</p>
<p>Stefon Harris has got my attention. I&#8217;m anxious to see how he follows up this project.</p>
<p>The post <a href="https://contemporaryjazz.com/review-the-grand-unification-theory-by-stefon-harris">Review: The Grand Unification Theory by Stefon Harris</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">1848</post-id>	</item>
		<item>
		<title>At the Newsstand</title>
		<link>https://contemporaryjazz.com/at-the-newsstand</link>
					<comments>https://contemporaryjazz.com/at-the-newsstand#respond</comments>
		
		<dc:creator><![CDATA[John Hilderbrand]]></dc:creator>
		<pubDate>Thu, 13 Feb 2003 19:25:42 +0000</pubDate>
				<category><![CDATA[jazztronica]]></category>
		<category><![CDATA[stefon harris]]></category>
		<guid isPermaLink="false">http://tomorrowjazz.com/?p=57</guid>

					<description><![CDATA[<p>It&#8217;s a good time to visit your local bookstore! The March issue of JazzTimes covers what this site is all about &#8211; &#8220;Jazztronica: A Brief History of the Future of Jazz&#8221;. The article features commentary from Matthew Shipp, Brad Mehldau, and Dave Douglas, among others. This issue also reviews Stefon Harris&#8217; 11-movement suite, Grand Unification [&#8230;]</p>
<p>The post <a href="https://contemporaryjazz.com/at-the-newsstand">At the Newsstand</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>It&#8217;s a good time to visit your local bookstore! The March issue of JazzTimes covers what this site is all about &#8211; &#8220;Jazztronica: A Brief History of the Future of Jazz&#8221;. The article features commentary from Matthew Shipp, Brad Mehldau, and Dave Douglas, among others. This issue also reviews Stefon Harris&#8217; 11-movement suite, <i>Grand Unification Theory</i>. This is the third consecutive issue of this magazine I&#8217;ve bought (Wayne Shorter and Jane Monheit cover stories drew me in the last two months). Maybe it&#8217;s time I got a subscription.</p>
<p>Elsewhere on the newsstand: Down Beat has a cover story of Soulive, whose live album is due in April. The current issue also covers the John Scofield, Joe Lovano, Dave Holland and Al Foster collaboration ScoLoHoFo as well as Larry Goldings. Jazziz currently has Mike and Leni Stern on the cover, celebrating love in jazz. I don&#8217;t know what else in the magazine since it&#8217;s bagged with a CD at the bookstores I frequent. With the Internet, are sampler CDs worth the extra money?</p>
<p>The post <a href="https://contemporaryjazz.com/at-the-newsstand">At the Newsstand</a> appeared first on <a href="https://contemporaryjazz.com">ContemporaryJazz.com</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">57</post-id>	</item>
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